Vol. III - Musical Semantics: A Linguist Would Say

Vol. III - Musical Semantics: Well, I Replied, Chomsky Would Say

Vol. III - Musical Semantics: Of Course, That Last Metaphorical Leap

Vol. III - Musical Semantics: Terrific, Said My Blonde Inquisitor

Vol. III - Musical Semantics: In Fact, When You Think of the Number

Vol. III - Musical Semantics: All Right, First Let's Look Briefly

Vol. III - Musical Semantics: Playing, That's the Word

Vol. III - Musical Semantics: But Does This Stravinskian Game Concept

Vol. III - Musical Semantics: There Are Three Specific Ways

Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor

Vol. III - Musical Semantics: And Here We Are in Trouble

Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt

Vol. III - Musical Semantics: We Will Never Know

Vol. III - Musical Semantics: Now, If We Accept This General Idea

Vol. III - Musical Semantics: In Our Last Lecture

Vol. III - Musical Semantics: We All Recognize Antithesis

Vol. III - Musical Semantics: It Can And It Does

Vol. III - Musical Semantics: And Again, as in the Poem

Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Suggested

Vol. III - Musical Semantics: We Can Expand the Idea

Vol. III - Musical Semantics: What Do You Suppose

Vol. III - Musical Semantics: What' Seriously Striking

Vol. III - Musical Semantics: So Why the Pastorale on this Lecture

Vol. III - Musical Semantics: Let's Begin at the Beginning

Vol. III - Musical Semantics: But What of the More Obvious Melodic Material

Vol. III - Musical Semantics: But to Develop How

Vol. III - Musical Semantics: Now We Have an Insight

Vol. III - Musical Semantics: But Wait

Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added

Vol. III - Musical Semantics: The Metaphor Arises

Vol. III - Musical Semantics: But in the Ensuing Four Bars

Vol. III - Musical Semantics: But That's Not the Main Event

Vol. III - Musical Semantics: Well, That's the Beginning

Vol. III - Musical Semantics: That's One of the Questions

Vol. III - Musical Semantics: This Interference of the Two Frequencies

Vol. III - Musical Semantics: But What Are We to Say

Vol. III - Musical Semantics: It Is To Be Found

Vol. III - Musical Semantics: Now That's One Way of Looking

Vol. III - Musical Semantics: At This Point

Vol. III - Musical Semantics: Even if You Can Succeed

Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo

Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto

Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro

Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro

Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto

Vol. IV - The Delights and Dangers of Ambiguity: When I First Wrote Down the Title

Vol. IV - The Delights and Dangers of Ambiguity: Part of the Danger

Vol. IV - The Delights and Dangers of Ambiguity: The Idea of Ambiguity